Starred water (a surrealist short narrative)

We were swimming next to the hot springs, but the sea was cold. The starry sky above us seemed ready to crack in the middle, throwing all possible parts of the galaxy right in the sea. I thought that there was definitely something wrong with this picture. But you did not seem to notice, so I just dived in again. The depths of the sea were warmer.

Once I got back on the surface I saw you laying on the water as if it were your bed, staring at the heavens – as if there were heavens. And then, taking me by surprise, the skies collapsed; starry bits falling in the sea lighting up the dark waters, thick black patches of matter following behind only to take the light off, starting over and over again.

We ran to the shore and clenched onto the sharp rocks, but it was too late. Now I had to tell you about all this. A dark patch fell from the sky right in my guts and devoured me. The edged rocks scratched my skin and only then you turned and asked:

“Why didn’t you say so before?”

“I couldn’t get the words right.”

“So, where are we going now?”

I looked again at the torn apart sky and my tearing apart skin. It seemed too late for everything, but did not want to tell you. Instead I replied:

“For starters let’s get back to the car.”

There was flesh melting off me and you had to help me stand. You walked for both of us. As we passed by the hot springs, I showed you the thin layer of ice that was already being formed on top, sparkling like diamonds.

“This is all wrong”, I said. “It was never supposed to be this way.”

And then, holding the last layer of my flesh from falling, you moved us forward and said:

“It’s not so bad. Now we will be able to ice-skate with a view!”

“Yeah, that’s true. But I think first I’d rather have a shower.”

As we were driving away from the scene, I turned one last time and noticed the liquid remains of what used to be my flesh, now being carried away by the wind, thrown far above the sea, above the moving us, above what had been yet sustained of the cosmos. There, blackcurrant splashes of matter spread irregularly and a reddish galaxy was born.

A bittersweet pain took over me and I eventually let go and fell asleep, the car speeding, distancing us from all this; all this that I never talked about.

{Photograph: Kipoi, Samothraki; September 2019}

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Έγκλημα στη Σαμοθράκη

Συγκλονιστικές είναι οι εξελίξεις σχετικά με το μέχρι στιγμής ανεξιχνίαστο έγκλημα στη Σαμοθράκη. Η σωρός του Μολδαβού επιχειρηματία βρέθηκε τελικά σε δύσβατο κομμάτι του βράχου Βρυχού, περιφερειακά του οικισμού της Χώρας. Η αστυνομία κάνει λόγο για δολοφονία, αλλά δεν έχει δώσει προς το παρόν λεπτομέρειες για τυχόν υπόπτους ή για τον τρόπο που αφαιρέθηκε η ζωή του θύματος! Ρίγος στην τοπική κοινωνία εν μέσω καλοκαιριού! Θα επιστρέψουμε κοντά σας μόλις έχουμε νεώτερα... Ο αστυνόμος Μακρής έκλεισε το ραδιόφωνο με αργές, σχεδόν θεατρικές κινήσεις. Όχι πως ήταν λάτρης του σανιδιού · μάλλον το αντίθετο. Τον επιβράδυνε περισσότερο η σκέψη της τελευταίας φράσης που άκουσε. Θα επιστρέψουμε κοντά σας μόλις έχουμε νεώτερα... Ήξερε τι σήμαινε αυτό. Το τηλέφωνο θα χτυπούσε σύντομα. Στην Αλεξανδρούπολη επικρατούσε πνιγηρή ζέστη. Ο απογευματινός παραλιακός περίπατος περισσότερο είχε αυξήσει παρά ανακουφίσει τη δυσφορία που ήδη ένιωθε. Βέβαια δεν ήταν μόνο ο καιρός. Στην πρα...

Mountain stars (a collection of irregular haikus)

I Your dreams are lately red. In the defiant light of the sun we appear less clean. What if I hide underneath the surface of the sea? Love was supposed to be effortless at start. Same songs same rain all the things you are doing with others. Storms unleashed threads pending cuts; your dreams are red. II Night butterflies fill the room night flowers drop tears reflections of us populate the walls underneath the sky I inhale the stars. The sea will expand to the world’s end (I know now) mountains will for once retract is it possible is it thinkable to stand here still? May 2024, Samothraki.

Μικρό καλοκαίρι

Ι Η υγρασία της θάλασσας σκεπάζει τη στεριά αντικριστά και μπαίνει μέσα μου. (Βρέχει ανεπαρκώς.) ΙΙ Τα δρομολόγια των πλοίων φεύγουν κανονικά μα δεν επιστρέφουν πια. ΙΙΙ Ο βραδινός ουρανός διαστέλλεται το ίδιο και η κόρη του ματιού · κάθε νύχτα ο ορίζοντας τρώει λίγο ακόμα από τη στεριά και κάθε ξημέρωμα η θάλασσα μας έχει κυκλώσει λίγο περισσότερο. IV Βουλιάζουμε. Σεπτέμβριος 2024, Σαμοθράκη.

Safe place

What it feels like to watch the ferry sail from ashore an island remote urged to absorb and write about all; the smallness of the houses the vastness of the stars the firmness of the mountain and the thriving sun the stove warmth the cricket songs the raven flights the goat bells from within the heights; what it is like looking for the winter in the uncanny light of the dusk and wanting to stop, eat up the day, and again start. Once, I walked at night in the dark crossing the ancient forest and ever since I walk, the forest every night. Samothraki, November 2024.

Bosphorus

In their cracky voices the seagulls talked – they truly did talk – about things that parted continents and seas. The crowd moved in a mass dance a choreography of nothing momentarily interrupted by streetcars. And the waters howled underneath they howled like a heartbeat soon (any moment now) to cease. Souls passed me by; some lost some wandering and some mine. Jan. 2024, Istanbul.

Composition

I Irregular images go by quite naturally. II A pull deep inside the wave plunges before the shore. III A procession of doors shutting firmly behind me. IV A further pull the water mumbles far from the shore. V Gardens how in their beauty spread in front of me. VI Hooded crows paired in the skies time-travellers alike. VII Stairs beneath my feet rise in rambling buildings. VIII A single white feather by the wind carried across horizon deep. IX The train with all its nine coaches drags in tunnels stoically. X Sky creatures bizarrely by me undisturbed in the same sea. XI Words of use written or spoken lavishly, kindly. XII Thick shadows of the olive trees for a moment still unnaturally. XIII In a bookstore’s poetry section we speak for ten minutes then never again. XIV All the sounds finally surrender to the eyes’ silence. Summer 2024, London – Samothraki. Picture: Tavist...

Τι σχέση έχει ο Πάνακτος Βοιωτίας με τον Λουτρόπυργο Νέας Περάμου; Η κατάρρευση της οικειότητας

Καμία. Τα χωρίζουν 32 χιλιόμετρα, ένα όρος, ένα τεράστιο δάσος και τα “σύνορα” νομών Βοιωτίας και Αττικής. Απ’ όσους οδηγούς έχουν σταματήσει ανά τα χρόνια έξω από το εξοχικό μας στον Κάτω Λουτρόπυργο για να ζητήσουν οδηγίες, κανείς ποτέ δεν κατευθύνθηκε προς τον Πάνακτο, ή προς τα Δερβενοχώρια. Κι εμείς ποτέ δεν θεωρήσαμε ότι ο Πάνακτος ή τα Δερβενοχώρια είναι κοντά προκειμένου να πάρουμε το αυτοκίνητο και να πάμε βόλτα προς τα εκεί. Πώς γίνεται λοιπόν μία φωτιά που είχε ξεκινήσει στον Πάνακτο Βοιωτίας να βρίσκεται δύο μέρες μετά στον Άνω Λουτρόπυργο, και συγκεκριμένα δίπλα στην Ολυμπία Οδό; Και πως γίνεται άλλες δύο μέρες μετά από αυτό η φωτιά να έχει σχεδόν κάνει κύκλο περνώντας από τα Μέγαρα και να έχει επιστρέψει στην Οινόη; Βρισκόμαστε μπροστά στην κατάρρευση της οικειότητας, αντιμέτωποι με την αδυναμία πλέον να ορίσουμε τι μας είναι γνώριμο. Το γνώριμο γίνεται γρήγορα άγνωστο, ακόμα και άγονο. Οι αναμνήσεις δεν βρίσκουν τόπο να σταθούν · μετά από κάθε οριοθέτησή...

April’s fools

I All our traumas sat around the table to dine courteously and with crooked smiles (too civilised for their own good). They exchanged words superfluous and untherapeutic. They drank until it was late and memory appeared to dissolve into nothingness. II Sometimes even after all this time, when the restaurant is empty and the music has stopped, I hear them trying to re-emerge from the surfaces that surpassed them the flowers that outlived them the lights that fooled them – intoxicated and vindicated by no one – into the shadows. I ask myself, sometimes, what will happen if they ever escape the shadows only to find that the dining table has since been replaced and most of their torturous attachments have ceased to be? What hidden and unresolved traumas will we have then? April 2024, Athens. Photograph: March 2024, Loutropyrgos.

From Katrina to Samothraki: Another Deluge.

The Chóra of Samothraki two years ago, on Tuesday 20 October 2015. It was two years ago that I was arriving in Samothraki, no longer a tourist but in preparation for my PhD fieldwork application. It was the same days as this year’s floods that I, ambitious and with a questioning spirit, was stepping foot on the island, just two years ago. Two years following those first days everything is so different. Pictures depict a landscape all the sudden alienated, a stranger. Questions bear no longer their fruitful character, but instead awake nightmares. Words do not flow; and experience is a repetitious limbo stuck in mind. Walking amongst the debris and mud last week, in the aftermath of the pouring rain and squall, I could not raise my hands, hold the camera steadily and take pictures. Who would like to remember this anyway? Who would possibly like to store and return to such pictures in time? Four years ago, while taking a semester of my BA course in Social Anthropo...

Before

I shouldn't have said a word to begin with. Because words hit like waves against coastal cliffs; they make an impression and then retreat to the their chaotic origins – be it sea or sin. 26 Jul. 2020 Photograph: Thessaloniki, Oct. 2023

Poetic Movements

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