The moon plays with the shadows of the caves hiding and emerging once from the mountain’s peak and once from the dense clouds; it also plays with me. The rain falls liquid and malleable, like the skies it comes from; it carries itself especially forcefully through the island’s irregular openings; the drops are heavier when touched and they stay. The crows have already moved – together but in distance – to find shelter, as the rushed waves wash ashore killed dolphins. I touch the drops to hold onto something or to wash off the horror. The horizon is closer than most nights and I cannot feel the land anymore, nor do I want to. The moon, fuller than ever, shows and goes; until the church bells ring the first hour of the morning. April – May 2026, Samothraki.
A shy rain drizzles across the sea almost involuntary certainly insecure. All these empty moments their quietness and the silent awaiting, an unvoiced hope that walks the earth in the morning and fades in the depths of the moon at night, a light that sleeps and wakes wakes and sleeps illuminating nothing at all. Yes, even the light can wither without care without a word or with just saying empty, muted words. The rain drops like gold liquid light trapped in particles unsurfacing an awaiting permanently silenced; an unconcluded lasting. February 2026, Athens. Photograph: Corfu, January 2025.